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"Yep, that's him. Now," he cried tossing Croaker into a tree, "I'll tell you what we gotta do. We gotta move these pets down to that old sugar-shanty in our woods. Ma's got so nervous with havin' 'em here that I'm afraid Anse might take it in his head to let 'em out, er kill 'em. I've got 'em all boxed nice an' snug. All I want you to do is help me carry 'em. We can do it in two trips. Ringdo, of course, 'll stay along up here. Ma's not scared of him like she is of the other things. Come along.",

Go an' gather in a snake—',

"Tut, tut," cried Maddoc, "what matter such trifles as these at this time? And now," turning to their host, "if you will honor us?",

"That's jest what I thought," said Billy. "I'll darken it some."

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"You're right, he is. Well, what's he goin' to do now? He can't work, kin he?",

Maurice Keeler, wan, hollow-eyed, and miserable, was seated on a stool just outside the door in the early morning sunlight. Near him sat his mother, peeling potatoes, her portly form obscured by a trailing wistaria vine. What Maurice had endured during his two weeks with the measles nobody knew but himself. His days had been lonely, filled with remorse that he had ever been born to give people trouble and care; his nights longer even than the days. Hideous nightmares had robbed him of slumber. Old Scroggie's ghost had visited him almost nightly. The Twin Oaks robbers, ugly, hairy giants armed with red-hot pitch-forks, had bound him to a tree and applied fire to his feet. What use to struggle or cry aloud for help? Even Billy, his dearest chum, had sat and laughed with all the mouths of his eight heads at his pain. Of course he had awakened to learn these were but dreams; but to a boy dreams are closely akin to reality.,

Lucy heard a church bell strike: she started from a fit of abstraction, and, turning to move on, confronted an old man who was crossing the bridge. The face of this old man was pale and wrinkled; his hair was long and quite white. His nose streamed down his face in a thin, curling outline; his mouth when his lips were compressed might be expressed by a simple stroke of a pencil.[Pg 30] His eyes were deep-seated and extraordinarily luminous and swift in their motions, and his eyebrows, which were as white as his hair, were so thick and overhanging that they might have passed for a couple of white mice sleeping on his brow. His apparel had that dim and faded look which in fiction is associated with miserliness. His high and dingy white cravat and the tall build of his coat at the back of his head, so sloped his shoulders that they looked to make a line with his arms. He wore a faded red waistcoat which sank very low, and under it dangled a bunch of seals. His knee-breeches left painfully visible the pipe-stem shanks clothed in grey hose and terminating in large shoes, burdened with steel buckles.,

"Down opposite the punt. I'm goin' t' strip an' swim across after her."